Star Trek: The Original Series — 3x08 — For the World Is Hollow and I Have Touched the Sky
Synopsis
An inhabited asteroid is on a collision course with a Federation planet.
Filler rating: bad filler
Pretty lame episode with no significant long term continuity.
Remarkable scenes
- The Enterprise destroying the missiles.
- McCoy revealing that he has a terminal illness.
- Kirk pleading with Natira, explaining to her what her world is.
Review
A society of people living on a ship disguised as an asteroid from the outside and disguised as a planet from the inside so the people within won't know that it's a ship. A complex and intriguing premise that unfortunately suffers mightily due to the fact that the plot at no point ever answers this simple question from Natira: "Why should the truth be kept from us? Why should the creators keep us in darkness?" Kirk dodged the question and although he was quite busy at the time trying to save her life, I honestly don't think even the writers knew the answer. For some reason it was all set up for the ship's population to be oblivious and that's just the way was. Don't ask why. Knowing why might make the story more interesting, and we can't have that!
While we're at it, let's not ask why we have yet another alien race that looks exactly like humans, why a civilization that clearly was highly advanced 10,000 years ago would voluntarily reduce itself to this, or why the writers decided to afflict McCoy with both a terminal illness and a marriage only to erase both by the end of the story. Oh wait, I already know the reason for that last one. On Star Trek, the writers have an aversion to main characters growing, changing, living, and dying. This show could learn a thing or two from a soap opera.
Granted, I wasn't the biggest fan of McCoy's romantic scenes with Natira anyway. They were verbose and, frankly, pretty damn boring. But McCoy grappling with a terminal illness and looking to make a change in his life so he can maximize the enjoyment of his final days was a compelling piece of drama. Had it not been manufactured drama with a manufactured cure, it would have been far more compelling. But even with that, there was at least one terrific scene enabled by the manufactured drama. When Kirk, Spock, and McCoy were struck down by the shock and McCoy was the last to wake up, I greatly enjoyed McCoy trying to play off his weakness only to be rendered speechless when Kirk informed him that "Spock knows." Wonderful character moment.
But outside of its intriguing premise and some decent, albeit forced character drama, this episode has little to offer. It's not the worst episode of Star Trek, but it's far from the best.